happy heart
“If you want to be happy, be.” -- Leo Tolstoy
“If you want to be happy, be.” -- Leo Tolstoy

"What is green? The grass is green,
With small flowers between.
What is violet? Clouds are violet
In the summer twilight.
What is orange? Why, an orange,
Just an orange!"
-- Christina Georgina Rossetti
Hundreds of glass gems glued in row upon row.
It sounds tedious, but I am having fun. My first large experiment into mosaics is looking good. I'm pleased with how it sparkles. I'm reminded of my early work.
Landscapes done in bead embroidery. Was that really 20 years ago?
What I'm loving about the mosaic work is the ability to work quickly on a much larger scale.

"I decided that if I could paint that flower in a huge scale, you could not ignore its beauty." -- Georgia O'Keefe
As an avid gardener and one allergic to pollen, I couldn't resist embroidering an image of a histamine cell made pink and green for the colors of my favorite blossoms, peonies. These days, as everything pops up and hearkens of lazy summer days to come, even my dogs are sneezing.
Josie, the empress papillon, perfumes her fur with a role on the lavender bush which she then follows with a not-so-dainty "achoo." All 4 pounds of her shakes with the force. It's a sign of another overactive histamine at work. She hasn't figured out the cause and effect reaction. Why lavender and not lemon balm or sage, I don't know, but every morning this week it has been the same. Roll, sneeze, shake, and look perplexed.
Photo by Sanders Visual Images.

"Tell me how many beads there are
In a silver chain
Of evening rain,
Unravelled from the tumbling main,
And threading the eye of a yellow star:—
So many times do I love again."
-- Thomas Lovell Beddoes
Take a deep breath. Exhale slowly. Focus on each breath. Oooone. Twooooo. Threeee......
I recite this mantra morning, noon, and night. It is my vain attempt at keeping the panic attacks from settling into the bones. So much to do in such a short time! I need some sleep, but I leave you with another new bead embroidery titled "Coursing."
Photo by Sanders Visual Images
| By blood we live, the hot, the cold, To ravage and redeem the world: There is no bloodless myth will hold. -- Geoffery Hill | |
More new work to share. Red Blood is part of my "Chirurgi" series and only my second foray into combining bead embroidery with appliqué. The piece is small, just 10" in diameter framed. The small format allows me to quickly work out ideas. Piece by piece I am creating an installation that I one day hope to use in filling the walls of a museum gallery.
Beads have long fascinated me -their history, their multiple uses, and the dazzle of light refracting from them. The word bead originates from the Old English word "bede" which means prayer. These days nano beads are being used to deliver chemotherapy treatments directly to cancer cells. These luscious bits of embellishment I construct into cell structures, fascinated by the patterns I view in the microscope, and deliver to the viewer as my own form of prayer against further ill health in myself and others.
Photo: Sanders Visual Images

"Art is born of the observation and investigation of nature." -- Cicero
Leucocyte V, 2006, bead embroidery, 18" diameter - photo Sanders Visual Images
Solo Exhibition
Jewish Healthcare
Foundation, Pittsburgh,
The exhibition will feature work from my Chirurgi series including new embroidered and knitted works.
Catholic Theological Union,
Join me at the opening at 5pm on Thursday April 10th.
Check out my Throne of Thyme in the museum garden this summer!
San Jose Museum of Quilts & Textiles. San Jose, CA – Beyond Knitting: Uncharted Stitches -- June 17 – August 24
A survey of contemporary art utilizing knitting as its primary medium.
Public Art
United States Botanic Garden, Washington, D.C. – Cool Globes / One Planet - Ours! -- May 24 – October 13
Cool Globes is on the road! Big Blue, properly known as "Adjust Your Thermostat," will be at our national botanic garden as part of an exhibition focusing on sustainability.
Performance Art
Looptopia, Chicago, IL – Attachments -- May 2 from 6 – 10pm
Will you be
in Chicago May
2nd? Enjoy the festivities of
Looptopia while becoming part of it! Contact me to have a garment custom-made that physically joins you to one you love. Deadline for inquiries is April 15.
At Your Local
Newsstand – Available April 15!
Read my article “Knit.1, Green Too” in the Summer 2008 issue
of Knit.1. Learn more about eco-active artists using
knit and crochet to make green statements.
In Print
See my work in this fabulous history of American knitting - Knitting
America: A Glorious Heritage from Warm Socks to High Art by Susan M. Strawn.
Two of my sweater designs are featured in Expectant Little Knits: Chic Designs for Moms to Be by Suzanne J.E. Tourtillot.
The latest Barnes and Noble how-to series, Quamut Charts, features my cloche hat design! Download the pattern and crochet one of your own for summer.

"And open field, through which the pathway wound,
And homeward led my steps. Magnificent
The morning rose, in memorable pomp,
Glorious as e’er I had beheld—in front,
The sea lay laughing at a distance; near,
The solid mountains shone, bright as the clouds,
Grain-tinctured, drenched in empyrean light;"
-- William Wordsworth
Rest. That is what I need, lots of rest. I fell into bed at 9pm and didn't rise again for another 12 hours only to let out the dogs and crash back into bed for 4 more. I've learned that when I stop a long stretch of work, I frequently come down with a crash, ie a cold. On the plus side, I have spent much of my day in bed daydreaming about my next piece. I am excited. I need to get started on the new piece for a show in April. My first beaded landscape in 15 years. Beauty. That's all I want to create these days, objects of beauty.
"People discuss my art and pretend to understand as if it were necessary to understand, when it's simply necessary to love." -- Claude Monet
Sometimes when given an opportunity it is necessary to grab hold and not ask questions. I've been invited to exhibit my beaded landscapes this April. Not only that, I've been asked to consider making a new one! It is time to do what one of my young students calls "the happy dance."
I am beyond thrilled. I've been thinking about returning to my landscapes for several years, but other exhibitions and other work always took priority. I didn't have the time to sketch, ponder, or experiment. An exhibition opportunity gives me the reason (like I need one) to try my hand at it after a 15 year hiatus. The above piece "Summer Abstraction" dates back to 1991.
I want to move fully into the realm of abstraction. My recent beaded cell structures are actually realistic renderings despite their abstract quality. Can I render the landscape as a feeling or emotion? This will be new territory for me.
Of course, given my schedule, I won't have much opportunity to try until after the new year when my administrative responsibilities come to an end. But it is lovely to contemplate while endlessly typing.
"Nothing is more the child of art than a garden." -- Sir Walter Scott
It is an interesting process to review one's history of production and make sense of it for strangers. My lecture at the Bead Society of Greater Chicago was a success in my opinion. I focused only on work created in the past 5 years. The challenge was to maintain the levity which is not an easy trick when talking about cancer, death, spirit and prayer. Yet, I managed to keep people laughing with my many tales from living in the Land of the Sick. I am cancer-free at the moment, but I still live with the long term side effects of the treatments I received.
I moved from looking at the exterior landscape to the interior landscape the day I learned I had cancer for the second time. Images of tumors, skeletons, and blood vessels began to fill my canvases. And though I am still very involved with this line of work and have developed an entirely different line dealing with issues of family and community through knitted installations and performances, I am still intrigued by my Visions of Paradise series.
This may be due to my yearly devotions in the garden, but I think the desire to return to this work is in the color. The above piece, Notting Hill, is comprised of over 30 shades of sequins and nearly a hundred or so shades of beads. The trick to producing more colors than physically present is in optical blending, the way the eye reads color. I miss the technical challenges this process of working poses.
Over the years people have hailed this series as neo-Post Impressionist (now there's a mouthful), naive, unsophisticated, and my favorite - beautiful. A friend recently wrote suggesting I remove them altogether from my website. Her feeling was that this series isn't as developed as my current work and brings down the overall quality of what I am showing. That was a fun email to receive. Honestly, these have been my most commercially successful and widely recognized pieces. Most from this series have sold. The few that remain are available through Mobilia Gallery. They've shown in such established venues as the Museum of Fine Arts in Boston and have been published in a series of books and articles.
I'm not going to have studio time for another two months. It's beginning to drive me crazy. I am working a full-time job in addition to two part-time positions. It's been good for me. I had to enter a crossroads and choose my next path, whether to follow my love of eduction or my love of my art. I've chosen the path of my art. It was a difficult decision as the full-time position has the perks of regular income, health insurance and the creativity of guiding the educational programming of an art center with over 60 faculty and several thousand students. I will continue to teach children and the occasional adult class, but my focus needs to be in the studio. Once a person has been found to fill the Director of Education position and Winter Expo, the center's annual holiday art and craft fair, is over, I can get back to juggling a saner schedule.
I no longer question the fact that the art market is a funny bed fellow. Some of my work receives greater critical acclaim while the other sells better. I will need to make more money from sales of my work and perhaps this is why I keep thinking about Visions of Paradise, but a part of me just wants to play with my beads, to make beautiful work that brings a smile rather than a frown.
"The attitude that nature is chaotic and that the artist puts order into it is a very absurd point of view, I think. All that we can hope for is to put some order into ourselves." -- William de Kooning
If I were to describe my work in one word, the word would be healing. In the Visions of Paradise series, I wanted to present an alternative to all the negative energy swirling around this planet - war, famine, global warming, etc. I wanted to make something beautiful, to provide a place for the eyes to rest and relax. I couldn't always be puttering in my garden, so I turned to embroidered landscapes. They offered an advantage over an actual garden, they're portable.
People don't exist in these works, but their presence is implied. I think of this presence as a version of neutral carbon footprints, a hope that we can live on this planet with respect for self, others and planet. But occasionally my anger and despair slip out. The above piece Mother Is Crying is an example. I was living in England soon after the Cherynobl disaster. Meat was being sold in butcher shops as "Cherynobl" affected. I still wonder if there was a cancer spike in England as a result. I know there was in Cherynobl and its surrounding communities.
I grew up in Missouri where the disaster at Times Beach made the national news in the 1980's. Stupidity, greed and arrogance resulted in outrageously dangerous levels of dioxin in the soil. The town had to be deserted. For many years as you drove along Route 66, you would see men in white decontamination suits cleaning up the mess. All that remains is a small state park with a plaque.
When applying to one graduate program, I was asked why I didn't study landscape design if I love gardens as much as I do. As I've stated, gardens aren't portable. I wanted to bring the garden to those who could not or did not reach out to Mother Nature. Some would say that gardening is a form of colonization through the direct shaping and controlling of nature. Every gardener will tell you that this is a joke. Mother Nature is always in control. I simply try to enjoy what she has to offer, to share her wonders with others.
What I've enjoyed about being part of the environmental project Cool Globes is the focus on solutions. Mother Is Crying is not a solution, only a highlight of environmental disasters. How many times can one be banged over the head about the disastrous state of our environment before tuning out? Yet even the smallest positive change can reap huge benefits. It can be as basic as wearing a sweater rather than turning up the thermostat or planting a tree in your backyard.
Since that first garden planted under the "El" tracks of Chicago, I have attempted to plant a small garden at every residence I have lived. When I first moved to London, I arrived in late December, not prime gardening weather. So, I visited Kew Gardens and sketched inside the greenhouses, read everything written by Gertrude Jekyll (I named my beloved schnauzer Gerttie after her.) and absorbed all I could of the London parks. Gardens can be as beautiful in winter when dormant as in summer when in full bloom.
You know, I never did embroider a winter garden....hmmmm.
Carol Wells: Creative Bead Weaving: A Contemporary Guide To Classic Off-Loom Stitches
Terry Taylor: Designer Needle Felting: Contemporary Styles, Easy Techniques
Suzanne J.E. Tourtillott: Expectant Little Knits: Chic Designs for Moms to Be
Jack Lenor Larsen: Fiberarts Design Book Five (Fiberarts Design)
Terry Taylor: Jewelry with a Hook: Crocheted Fiber Necklaces, Bracelets & More
Susan M. Strawn: Knitting America: A Glorious Heritage from Warm Socks to High Art